Few visitors to this resort city would imagine that there was such a high-calibre art museum within the city limits, but don't overlook this well curated collection, located in a stunning building. Established in 1938, the Palm Springs Art Museum has grown immensely from a single room to a permanent collection of over 20,000 different works of art. Now in its third location, the museum has three main components: contemporary art, natural science and the performing arts.
The museum's collection includes works from Marc Chagall, Pablo Picasso, Andy Warhol, Roy Lichtenstein, Louise Bourgeois, Henry Moore, Antony Gormley and Ansel Adams. Spread over 14,000 square metres, one highlight is the collection of Native American and Western art which is spread over 9 of the museum's 28 galleries. This exhibit is as diverse as the people it represents, with everything from Navajo rugs to the sculptures and paintings of Frederic Remington.
Befitting Palm Springs' relationship with Hollywood, the museum's gallery of photography is well worth a look. The Hollywood and Portraits section includes candid shots of Andy Warhol, David Hockney and Rock Hudson.
If you're into design, the Architecture and Design exhibit is excellent. The classic Desert Modern Style architecture that you see throughout the city is well-documented and explained. Don't miss the spectacular hillside home of Albert Frey, donated to the museum by the renowned local architect when he died in 1998.
If you're feeling inspired, you can get your hands dirty in one of the museum's classes, where you can learn how to do different forms of painting and drawing. Kids can get involved too, as there is a regular programme of activities for children. Check the museum's website for details.
Situated on Museum Drive in downtown Palm Springs, the Palm Springs Art Museum is open every day with the exception of Mondays and major public holidays. There is a charge for admission except every Thursday evening and the second Sunday of every month. Free parking is available on site.
